A big thank you to Lisa Hogan, Kendrix Brown, Isis Marné, and Abby Fedorowicz for sitting down with us! This episode we spoke with some of the cast of our upcoming world premier, For the Honor and Glory, a drama which spans across time to show us the lives of a few different couples whose lives and relationships were affected by various historic wars. Between juggling paid gigs, and not wanting to upset the solemnity of the holiday, we figured releasing a little later in the day today was a good balance. We hope you have had a peaceful Memorial Day weekend, and apologize for getting this out later in the day than usual. (And let us know if you are interested in working with us on an original work once you have listened to the next episode!) Anyone looking to host a Script Club can go to this link to fill out the form so that our coordinators can work with you. Follow the theater on Facebook and Instagram for updates on all of our offerings, or you can check out the website,. Remember to get your vaccinations if you haven’t already done so! LTN does require proof of vaccination for all of our volunteers, and patrons must provide either proof of vaccination or the results of a negative COVID test taken within 72 hours of curtain time! Our full (and most updated) set of building access procedures can be found on our website Call or text us and leave a message at 75, or email us at Subject Line Ghostlight. It’s been SO long! We’ve missed you!! Today BA and Lisa check in to talk about what’s been going on at LTN since June, give you some insight on upcoming in-person events at the theatre, and then talk about our super special upcoming Episode 20, which, like all of our episodes, will only be available if you listen here in the Ghostlight feed!
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On a more positive note, the game's music from Czech band DVA cocoons you with musical interludes worthy of this imaginative world. Some chapters are so complicated that even with game-provided maps, it's challenging to retrace your steps to deliver a found item that is needed by another that you met earlier in the game. The navigation of Botanicula starts off easy but gets more complex. The last chapter has some shooting sequences in which you can die and have to restart the section, but there is no blood. This disturbing scene, while short, is so out of place with the rest of this funky adventure that it is hard to fathom why it was included. At one point, you will even watch a gory puppet show where a dragon's head gets whacked off and the stump bleeds onto the stage. However, the farther you get into the story, this sense of carefree exploration slowly changes as the environments you investigate get darker and the characters within more scary. While you are occasionally chased by spider-like things, you will quickly discover that they never reach you, and you can't die. This aspect encourages you to click on every new creature you encounter no matter how bizarre.īotanicula starts out as an uncomplicated, joyful exploration where clicking on things results in fanciful reactions. There are over 100 creatures for you to find and interact with enough that they reward you with their animated card. In addition to collecting things for characters you meet in the game, you will also be collecting creature cards. The combination of creating the music and the unexpected location of the key is what makes this game fun. When he joins in the song, you can scamble inside his mouth to find the hidden key. Only when you get all of the birds singing at once will a larger bird arrive. Once you get it singing, other similar birds will arrive. If you keep it there, its eyes will flash and it will start to sing. When you run the computer mouse over the bird's eye, its mouth will start to open. To obtain one of these keys, you will need to interact with a grey, bird-like creature sitting on a branch surrounded by berries. On one level you will be tasked with finding five keys. Touch a bump, and a flying insect might pop out. Clicking on a dead leaf might make a new one magically appear. Each of the over-150 locations is designed to tempt you to start clicking to see what will happen. Some will charm you with their burbles and snorts while others will scare you with their teeth-gnashing. As you navigate along the tree's translucent limbs pulsing with sap, you will meet spiders, bees and snails but you will also encounter whimsical creatures you have never seen before. This beautifully-drawn world alternates between being whimsical and eerie, as it vibrates with creatures that are fanciful, lovely, bizarre and sometimes frightening. That description may make this game sound routine, but it is anything but commonplace. It's simple and refreshing.ĭivided into seven chapters, the game presents players with scavenger hunts which, when completed, open the next section. Clicking, observing reactions to your movements and trial-and-error are your only means of getting through this game. There is no talking in the game, and there are no instructions. They move in tandem, but at times exercise unique skills: The twig can stretch out its branches the feather can flutter to out-of-the-way places. Your five tree creatures are the tree's champions on a quest to save the tree. When you enter this imaginary tree world, you discover that the tree and its inhabitants are being attacked by evil parasites. In this point-and-click computer adventure, you control five adorable tree creatures that look roughly like a twig, a mushroom, a feather, a lantern and a seed pod. 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Grand trees wrapped in white fairy lights lined the driveway. We pulled in to this place, the Firestone Resort, and were mesmerized at the entrance. Let me tell you - the reviews were wrong!! The road from the Tetons to this little gem bypassed the town of Jackson to meander you through beautiful farmland with quintessential mountains and fences along the way. We found this place and wearily headed over - not expecting much based on reviews. Luckily we had free WIFI at the Flagg Ranch Lodge and was able to get on Campendium to find a site. We headed out of the park and down towards Tetons. Our motor home batteries were dead after 5 days of non-electric sites. Leaving YNP we weren't sure where we were going to sleep, but we knew we needed hookups. After looking at the Yellowstone's bubbles and beauty for 3 days - having my own to soak in was beyond HEAVEN!! People in this environment have been struggling for a long time at night and do not have enough time to rest. 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Since your game is going to use the accelerometer, you need to make sure that tilting the device doesn’t flip the game into landscape mode. You’ll be replacing what’s in the GameScene.swift file in just a moment, but first you have one last thing to setup. Let scene = GameScene(size: )īuild and run to make sure everything is working so far.ĭon’t worry about the “Hello, World” text label clipping. Then replace viewDidLoad with the following: Now open GameViewController.swift and delete the unarchiveFromFile SKNode extension at the top of the file, as you won’t be needing this extraneous code. When the warning alert shows, choose Move to Trash. You won’t be using this, so select it and press the delete key. Locate the GameScene.sks file in the Project Navigator. Fire up Xcode, select File\New\Project, choose the iOS\Application\SpriteKit Game template and click Next.Įnter UberJump for the Product Name, set the Language to Swift, and iPhone for Devices and then click Next.Ĭhoose somewhere to save the project and click Create.īefore getting down to business, you’ll do some preliminary setup. To begin, you need a brand new Sprite Kit Xcode project. The result will be a complex, hybrid physics manipulation, as you both apply forces to the player node and also directly change its velocity. The accelerometer will handle the player’s left and right movement (x-axis). Collecting stars along the way will propel the player further on their journey upward, taking care of the up and down (y-axis) portion of the player’s movement (miss too many stars and you fall down though!). Uber Jump will take the same model, initially thrusting your player character upward and continuously applying gravity to pull them down. Collecting coins boosts the player upward while platforms provide temporary respite along the way. The game hurls the player character up the screen and from that point the player must fight against gravity to get as high as they can. As everyone knows, “uber” is better than “mega,” so let’s call your game “Uber Jump.” ]Īt its heart, a game like Mega Jump is a physics game. Yours will obviously be a truly amazing game and so it needs a truly amazing title. You are going to create a game similar to Mega Jump. That means you’ll need a paid developer account and a device to test on to get the most out of this tutorial. Note: The game you’ll build will eventually use the accelerometer to control horizontal movement. If you are new to Sprite Kit, it would be best to work your way through Ray’s Sprite Kit Tutorial for Beginners before starting this tutorial series.īut if you’re comfortable with the basics of Sprite Kit, then jump right in! As you build your game, you’ll learn how to use a number of Sprite Kit’s capabilities, including the physics engine, collision detection, accelerometer control and scene transitions. If you’ve somehow missed trying Mega Jump from the App Store, it’s quite a popular vertical jumping game with really nice graphics and addictive gameplay. In this two-part tutorial series, you will use Sprite Kit and Swift to create a game in the style of Mega Jump. Original post by tutorial team member Toby Stephens. Update April 17, 2015: This tutorial was updated for Xcode 6.3 / Swift 1.2 by Michael Briscoe. In part one of this two-part tutorial series, you’ll start creating a game like Mega Jump, and implement the overall scene, physics, and sound effects using Swift and Sprite Kit! |
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